Haydn Voyages: Music at the Maritime
The Hausmann Quartet and the Maritime Museum of San Diego are excited to partner to present this quarterly concert series aboard Berkeley - an 1898 steam ferryboat that operated for 60 years on San Francisco Bay.
Concerts aboard this National Historic Landmark, docked in downtown San Diego next to Star of India, explore the evolution of the string quartet through the lens of Joseph Haydn’s quartet cycle. The programming sets his works alongside those of master composers from our own era and stretching back to his musical ancestors. As the father of the string quartet and one of history’s most innovative composers, Haydn is an ideal guide to this exploration of some of the most powerful, creative music ever written. Each creative program also includes informative and entertaining commentary during the performance from noted UC Santa Barbara musicologist Derek Katz.
Haydn Voyages is generously underwritten by pH Projects, with additional support from the County of San Diego's Community Enhancement Program.
Please join us for our final concert of the 2017 season on November 12.
November 12: Dreams and Dances
The final concert of the 2017 season features Haydn’s “Rider” quartet, an example of the composer at the true height of his powers as a master of the string quartet genre. Erwin Schulhoff’s Five Pieces (1923) are a wonderfully varied collection of dances, and Missy Mazzoli’s Quartet for Queen Mab (2015) is a fantastical journey based on a creature from folklore and literature. In the words of the composer: "I want people to find something out about themselves through my music, something that was inaccessible before, something that they were suppressing, something that they couldn’t really confront….”
And announcing our 2018 Season... 20% discount for full series purchase! Subscriptions on sale now!
February 25: Early Years
The 2018 season opens with an exploration of Haydn’s beginnings in the string quartet genre, featuring one of his opus 1 quartets along with an example of his more mature opus 9 works, written five years later. Ruth Crawford Seeger’s Quartet 1931 is an American modernist masterpiece that put the young composer on the map, and Tina Tallon’s selective defrosting from 2012 is an evocative, exciting work from an up-and- coming composer with San Diego roots.
May 6: Anniversaries
In a fascinating and varied program that will feature a world premiere by Stephen Prutsman, the Hausmann Quartet will present works celebrating significant anniversaries in 2018: Steve Reich’s seminal Different Trains (composed 30 years in ago in 1988), along with Haydn’s opus 55/1 (composed 230 years ago in 1788). Some of the earliest chamber music ever written (from 16th-century England) will round out this unique concert experience.
September 16: Form and Texture
A pair of Haydn Quartets frames two exquisitely crafted works from our modern era: Philip Glass’ Company (composed in 1983 for a dramatization of Samuel Beckett’s novella of the same name) and Marcos Balter’s Chambers from 2012, described by one critic as “a
mesmerizing plunge into icy musical depths...This is a gorgeous piece, well worth hearing again." The singular atmosphere of the Berkeley and San Diego harbor is sure to add to this exciting program.
November 11: Journeys on the Voyager
In 1977, NASA sent the Voyager Golden Record, which included selections of images, music, speech and sounds from around the world, into outer space. Beethoven’s sublime Cavatina from his opus 130 quartet was the final piece of music, and the project was directed by Carl Sagan, whose request to turn the Voyager around portrait of Earth looking back on us as it was leaving the solar system from six billion miles away inspired David Ludwig’s 2014 work Pale Blue Dot. One of Haydn’s quartets from the time Beethoven studied with him completes this program. As Jimmy Carter said at the time of the Voyager’s launch, “This record represents our hope and our determination and our goodwill in a vast and awesome universe.”